THE INSTITUTE OF
THE MECHANICAL SURROUND
The IMS is a production studio, a label, and a workspace for experimental collaborations, bridging scholarly inquiry and communities beyond the academy. Located at Franklin & Marshall College in Lancaster, PA, the IMS sets a new standard for what public scholarship might sound and feel like and how big questions might be staged in innovative ways.
About
The Institute of Mechanical Surround is a hub for asking new questions concerning technology and producing new genres through which to answer them.
Founded in 2023, and located aside the campus of Franklin & Marshall College in Lancaster, PA, the IMS was founded by John Modern and Nick Kroll in 2023. With a network of collaborators that spans continents, intellectual disciplines, and artistic practice, IMS takes up the question of what is happening now. Our projects are designed to provoke scholars to reimagine what they are doing and for whom. And they are designed to appeal to an array of publics to become more interested and invested in the questions we are asking.
The IMS pushes academic conversations about science and technology in new directions. Our past projects include the Machines in Between podcast, the immersive experience of The Vinyl Church, the socially engaged pedagogical space of Mixtape Metaphysics, events featuring leading scholars in religion and philosophy, an audio essay about AI mimicry, and podcast miniseries on techno-philosophy. These projects have set a new standard for what public scholarship might sound and feel like and how big questions might be staged in innovative ways.
Future activities will continue to take up the question of what is happening now. For we find ourselves in a world that, in so many ways and on so many levels, is bent on integrating whatever might be a defining characteristic of the human— rationality, creativity, interpretation, mourning, sociality, freedom, empathy, and love—with the future of machines. What is to be done as we grow entangled with large language models, their economies, and their myths and increasingly enchanted by the promise of automated cognition?
Drawing from our collective expertise in philosophy and history, social theory, immersive experiences, turntablism and electronic music, the IMS is animated by what is perhaps the most pressing humanistic concern of our time: technological saturation. For we find ourselves in a world that, in so many ways and on so many levels, is bent on integrating whatever might be a defining characteristic of the human— cognition, creativity, indeterminacy, imagination, sociality, flourishing, empathy, love, rationality—with machines.
The Studio
Our studio is a space for showing how the mental and the physical interact.
The studio is designed with strict engineering principles and is equipped with the tools to deconstruct and reconstruct our mechanical surround.
Machines include: Toft Console, Akai MPC 2000, Ensoniq Mirage, Korg Minilogue, Arturia Mircrofreak, Behringer RD-82, TECHNICS SL1210M5G direct drive turntable, Pioneer s9 2 channel mixer, Casio SK-8 sampling keyboard, Danelectro DM25 Tube Amp, Panasonic RR-830 Standard Cassette Transcriber, Moog Source Monophonic Analog Synthesizer with Patch Memory, ADAT, ukeleles, Nektar Impact Controller, Vestex VNL stylus, Pioneer djm 800 mixer, Universal Audio Apollo Interface, ‘93 Music Man Stingray 4 string bass, Vox Wah pedal (V847), PT101 Numark Scratch, Danelectro 3021, Ibanez bass guitar, Azur Fuzz pedal, QoB2 Benjistone FX pedal, Ensoniq SQ80, Rosary 1653, Pioneer Reverberation Amplifier SR-9, Shure SM7B, Boss Digital Delay DD-6 pedal, Earthquaker Data Currupter pedal, Julia pedal, DigiTech Studio S100, Geiger Counter WMD pedal, Yamaha PSS-170, CASIO SK-1, tambourine, Marine Band Harmonica (M. Hohner), Fender Precision bass, etc.






People
-
John Modern
Co-Director of IMS
Producer of Machines in Between and Me and My Monkey Mixtape, Arthur and Katherine Shadek Professor of the Humanities and Religious Studies at Franklin & Marshall College -
Libby Modern
Creative Director
Artist, designer, and founder of Modern Art, co-host of Machines in Between -
Vinny Smaldone
Sound Ecologist
Producer and Co-host of Outside the Algorithm; Producer of Processing.
Aka DJ Image, a national touring DJ. -
Nicky Kroll
Co-Director of IMS
Producer of Processing; Sound Designer for Machines in Between; Professor of Philosophy, Franklin & Marshall College -
Mike Newman
Sound Engineer
Mike trained under legendary recording engineer Shelly Yakus at Tongue & Groove Studios in Philadelphia. He has worked with Mavis Staples, The Dixie Hummingbirds, Art Garfunkel, Levon Helm, and Blue Oyster Cult. -
Jenny Schulder Brant
Staff Photographer
Jenny is a creative director, photographer and ayurvedic practitioner. Her work has appeared in Cosmopolitan, Elle, Jane, Fortune, Japanese Playboy, and Vanity Fair. -
Jamaal Washington
MC
aka The Primacy Intelligent— a 90s style hip hop beat conductor, co-host and co-producer of Outside the Algorithm
Advisory Board
Courtney Bender
Ada Byron Bampton Tremaine Professor of Religion, Columbia University
Sylvester Johnson
Executive Director of the Tech for Humanity Initiative; Professor of Religion and Culture, Virginia Tech University
Hillary Kaell
William Dawson Research Chair and professor of Anthropology, McGill University
Lerone A. Martin
Martin Luther King, Jr. Centennial Professor and Director of the Martin Luther King, Jr. Institute, Stanford University
Funding
The IMS has been generously funded by the Henry Luce Foundation, the Luther Binkley Fund in Philosophy at Franklin and Marshall College, and the Charles and Barabara Kahn Endowment in Religious Studies, and the Office of College Grants at Franklin and Marshall College
Our community partners included Lancaster Conservancy (Providing wild and forested lands and clean waterways for our community. Forever), Music for Everyone (Cultivating the power of music as an educational, community building and public health tool), and Modern Art (Making Lancaster Weird)